Divine office app with chants9/11/2023 ![]() In Lutheranism and Anglicanism, they are often known as the daily office or divine office, to distinguish them from the other "offices" of the Church (e.g. The current official version of the hours in the Roman Rite is called the Liturgy of the Hours ( Latin: liturgia horarum) or divine office. In the Roman Rite of the Catholic Church, canonical hours are also called officium, since it refers to the official prayer of the Church, which is known variously as the officium divinum ("divine service" or "divine duty"), and the opus Dei ("work of God"). A book of hours, chiefly a breviary, normally contains a version of, or selection from, such prayers. Some examples include the Vespers by Sergei Rachmaninoff and the Vespers by Claudio Monteverdi.In the practice of Christianity, canonical hours mark the divisions of the day in terms of fixed times of prayer at regular intervals. The Divine Office has inspired music from the Middle Ages to the present day. Antiphons were simple and short, typically with syllabic text setting. The antiphon text heralds the birth of Jesus. Here is a recording featuring the antiphon Tecum principium, which would have been paired with the first psalm sung at Vespers on Christmas Day (in this case that would be Dixit Dominus). The singing focuses on the reciting tone of the mode see here for a score example, Dixit Dominus:īefore and after singing each psalm, the monks would sing the antiphon. The recitation formulas used for singing psalms were called psalm tones, and these formulas could be adapted to fit any psalm. To project the text farther through the resonant acoustics of singing (remember these are being sung in the halls of monasteries where the reverberant acoustics would have been an important part of the sonic experience of singing the Office).to transcend the everyday worldly quality of speech and give speech an aura of sanctity through song The use of music here is not for self-expression, but to accomplish several functions: Psalms were sung with very simple recitation formulas that were essentially intoned speech with brief musical motives to mark the ends of phrases, sentences, or the reading itself. The psalms are analogous to the Mass Ordinary (the fixed part of the Mass), while the antiphons function like the Mass Proper to commemorate an event or person particular to the day or week of the liturgical calendar. These psalms remain the same each week, but they are always paired with antiphons whose texts vary according to the church calendar. ![]() As part of the Office, each week the practitioners sing through all 150 psalms over the course of the week. The most important of these 8 services liturgically and musically were and are Matins (after midnight and usually about 3 a.m., originally called Vigils), Lauds (sunrise), and Vespers (twilight). The Office consists of a series of eight services celebrated daily at specific times: Other names for the Office include the Liturgy of the Hours, the Breviary, or canonical hours. Monastic worship during the Carolingian period around the 8th-9thĬenturies. The Office was outlined inīook The Rule of St. ![]() The worship rituals of the Divine Office came together earlier than the Mass.
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